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https://w.atwiki.jp/cadencii_en/
English 日本語 Cadencii, what is that? Cadenncii is a free software for editing scores for several singing synthesis systems. VOCALOID, VOCALOID2, UTAU, STRAIGHT with UTAU, and AquesTone are available as synthesizer. Download Latest Stable Release (21 Aug., 2011) Windows version Cadencii_v3.4.1.zip (6.7MB) Latest Stable Release (21 Aug., 2011) Macintosh version Cadencii_v3.4.1.dmg (42.5MB) Required Environment To execute Cadencii, .NET Runtime or compatible runtime should be installed. In the platform other than Win, several functions do not run correctly. In case VOCALOID2 is installed .NET Framework mono/WinXP mono/openSUSE mono/MacOSX Leopard Rendering WAVE ○ ○ (not tested) (not tested) Sound preview when fingerboard pressed ○ ○ (not tested) (not tested) In case VOCALOID2 is NOT installed .NET Framework mono/WinXP mono/openSUSE mono/MacOSX Leopard Rendering WAVE × × × × Sound preview when fingerboard pressed △ △ × × *△：available if you have cached *.wav files which generated in other computer. Testing environment .NET Framework 3.5 / Windows XP mono 2.4 / Windows XP mono 2.4 / openSUSE 10.3 mono 2.4 / Mac OS X 10.5 Development Status Latest development version is 3.4.0. Thanks to Tool icons are designed by Yusuke Kamiyamane. A component of Cadencii, "vstidrv.dll" is based on the source code of "vsq2wav" which has been developped by "ないしょの人" (はちゅねのないしょ). A component of Cadencii, "bocoree.dll" contains arranged version of FFT which has been developped by Mr. Takuya OOURA. License Cadencii is free software. Source codes of Cadencii are the copyright of kbinani. Cadencii is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. （"VOCALOID" is trademark of YAMAHA Corporation）
https://w.atwiki.jp/whoone/pages/4.html
リンク HTMLクイックリファレンス http //www.htmq.com/index.htm HTML5ゲームフレームワーク http //blog.verygoodtown.com/2011/02/limejs-html5-game-framework/ HTML5でゲーム作成 http //cnut1024.wiki.fc2.com/ SEO対策 http //seo.acnf.org/ http //www.d3.dion.ne.jp/~jkondou/hp/css_seo.html G123、事前受付登録中の「クイーンズブレイドリミットブレイク」にてAmazonギフト券が当たるフォロー&RTキャンペーン開催 - ASCII.jp HTML5 プロフェッショナル 認定試験 レベル1 想定問題 一覧 (1) - マイナビニュース [実力試し] HTML5 プロフェッショナル 認定試験 レベル2 想定問題 一覧 (1) - マイナビニュース HTML5ベースのMMORPG「MAD WORLD」のαテストが実施中。PCブラウザですぐに参加可能 - 4Gamer.net W3C／HTML5からWHATWG／Living Standardへ、Web発展史をひもとく - ITpro 「Macでリモートアクセス」に対応、Windows 365やシン・テレワークシステムHTML5版の魅力 | ボクシルマガジン - Beyond（ビヨンド） 「シン・テレワークシステム」にHTML5版 ～MacやChromebookからもWindowsをリモート操作可能に - 窓の杜 拡張機能が動かなくなるかも？ 「Google ドキュメント」がHTML5 Canvasベースのレンダリングへ移行 - 窓の杜 新作HTML5ゲーム「邪神ちゃんドロップキックねばねばウォーズ」が配信開始。レアリティS“水着ぴの”がもらえる初心者ミッションを開催中 - 4Gamer.net AWS Elemental MediaLive が HTML5 モーショングラフィックスオーバーレイのサポートを開始 - amazon.com HTML5ベースのモダンブラウザーからリモート操作が可能に、「TeamViewer」にWebクライアント - 窓の杜 GMOメディア：HTML5ゲームプラットフォーム「ゲソてん byGMO」、「楽天ポイントモール」の利用者に向け38タイトルを提供開始 - PR TIMES 第4回専門学校 HTML5作品アワード、受賞作品の発表 - valuepress HTML5に完全対応 アドビ社製Webセミナーシステムの最新バージョン『AdobeConnect11』を提供開始 - アットプレス（プレスリリース） GMOメディア：HTML5ゲームプラットフォーム「ゲソてん」、ゲームコンテンツ提供先の20媒体において「PayPay」決済に対応 - PR TIMES HTML5ベースの韓国産2D MMORPG「MAD WORLD」の最新画像とムービーが公開 - 4Gamer.net Flashを使用している企業に朗報！Flashを簡単にHTML5で再生可能にするサービス『JswfPlayer』Ver2がリリース！ - PR TIMES SL ジャパン、HTML5 に対応した監視制御システム (DCS/SCADA) 向け SL-GMS Web/Developer 新製品をリリース - valuepress HTML5ゲーム「八男って、それはないでしょう！アンサンブルライフ」の正式サービスが本日開始。テレビアニメ版がベースの放置型MMORPG - 4Gamer.net TVアニメの新作HTML5ゲーム『八男って、それはないでしょう！-アンサンブルライフ』本日より正式リリース！記念イベント絶賛開催中！ - PR TIMES アスキーゲーム ガンダムRPG『SDガンダムオペレーションズ』がHTML5軽量化アップデートを実施！ - ASCII.jp 神社経営シミュレーション「かみてる」がHTML5ゲームプラットフォームOhSECHIで配信開始 - 4Gamer.net 人気TVアニメの新作HTML5ゲーム『八男って、それはないでしょう！-アンサンブルライフ-』事前登録受付開始！ - PR TIMES 文系でもできる！HTML５とCSS3の超らくらく入門講座 2020年版 - PR TIMES YouTubeがFlashを排除し、HTML5の最後の障害を取り除いた - 週刊アスキー - 週アスPLUS バンナム、HTML5ゲームの「enza」運営元を完全子会社化 ドリコム保有株買い取り - ITmedia G123で新作HTML5ゲーム『セルリアンホライズン』正式リリース！事前登録報酬は28日にプレゼント！ - PR TIMES GMOメディア：HTML5ゲームプラットフォーム「ゲソてん」、ポイントサイト「モッピー」に『ゲゲゲの鬼太郎 妖怪横丁』など20タイトルを提供開始 - PR TIMES シンプルで安価なマルチデバイス対応HTML5デジタルカタログ制作サービスを提供開始 - PR TIMES スマホゲーム開発者向け書籍「HTML5 ゲーム開発の教科書」が9月中旬に発売 - 4Gamer Adobe FlashをHTML 5で代替するPixi.jsがWebGLを新たにサポート、クロスプラットフォームとインタラクティブアプリに対応 - InfoQ Japan HTML5版「刀剣乱舞」をサポートした「とうらぶキャプ」v2.0.0が公開 - 窓の杜 HTML5ゲームポータル「楽天ゲームズ」終了 2年で幕 - ITmedia NEWS HTML5ゲーム『ガールズ＆クリーチャーズ』ホワイトデーイベント開催！期間限定キャラクターを解禁！ - PR TIMES HTML5ゲームプラットフォームをてがけるLiberappは「HTML5 スマホゲーム業界カオスマップ（2019β）」を公開しました - PR TIMES Liberappが「HTML5 スマホゲーム業界カオスマップ（2019β）」を公開 - 4Gamer.net スマートニュース、優れたHTML5技術を持つ『Tombo, Inc.』を買収 - PR TIMES HTML5 GameCreatorというコミュニティー＆ミートアップをはじめます - PR TIMES あなたはどっちサイドを選ぶ？G123新作HTML5ゲーム『ガールズ＆クリーチャーズ』正式リリース！ - PR TIMES 「Webは次のギアにシフトしている」〜HTML5 Conference 2018 基調講演レポート：レポート - Gihyo Jp HTML5ベースで描画速度が向上、BIダッシュボードの最新版 - ＠IT MONOist 時空を超えて、世界を救え！新作HTML5ゲーム『ナイトメアクロノス』事前登録受付開始！ - PR TIMES 国内最大級のHTML5ゲームサービス「G123.jp」が本日10月4日(木)オープン！ - PR TIMES 国内最大級のHTML5ゲームサービス「G123.jp」オープン！新たなゲームプラットフォーム誕生・10月は新作ゲーム3本登場 - アットプレス 技術の進化に左右されないWebサイトの作り方がわかる、プロを目指す人のための入門書『HTML5＋CSS3の新しい教科書 改訂新版 基礎から覚える、深く理解できる。』発売 - PR TIMES 「艦これ」Flash→HTML5に 大規模メンテスタート - ITmedia 「艦隊これくしょん -艦これ-」がHTML5ベースに移行。8月15日11：55から3日がかりの大規模なメンテナンスを実施 - 4Gamer.net LINE上でHTML5ゲームが遊べる「LINE QUICK GAME」 たまごっち、ナンプレも - ITmedia HTML5ゲームにもeスポーツの熱狂を。 Liberappに観戦APIとデモゲームを追加 - PR TIMES BXD、HTML5プラットフォーム名称を「enza」に--新作ゲーム3タイトルを体験 - CNET Japan バンナム、HTML5活用の新作ゲーム「アイドルマスター シャイニーカラーズ」発表 - CNET Japan HTML5アプリプラットフォームのスタートアップ企業「Liberapp」設立と増資および仮想通貨「リベリウム」でICO検討開始のお知らせ - PR TIMES 株式会社レコム、HTML5ゲーム【iKON COLLECTION HIDDEN CATCH】のセールイベントを開催! - PR TIMES 株式会社レコム、レコム、HTML５ゲーム市場に挑戦! - PR TIMES HTML5を巡るGoogle、Apple、Microsoftの戦略の歴史 - ITmedia 【黒川塾51】HTML5ゲームとクラウドゲームでゲームコンテンツはどうなる？ - Game Deets 「BXD」が狙うHTML5活用ブラウザゲームの需要--ファミスタ、アイマス新作を投入 - CNET Japan コレ1枚で分かる「HTML5（2） マルチデバイス時代のアプリケーションプラットフォーム」 - ITmedia HTML5の機能をどこまで活かせるか--新日鉄住金ソリューションズの「hifive」で実現できること - ログミー 「Google Chrome 56」が正式版に。HTML5デフォルト化がすべてのユーザーを対象に開始 - 窓の杜 「Google Chrome」のHTML5デフォルト化が開始。脱Flashの流れが加速 - 窓の杜 Chromeブラウザの“Flash→HTML5デフォルト化”完了は2017年10月 Googleがロードマップ発表 - ITmedia あきらめていたFLASHありませんか？HTML5変換サービスのご案内 - PR TIMES HTML5はこれからのWindowsか？、普遍的なアプリケーションの普遍的な開発/利用ベースとして - TechCrunch Japan Google Chrome、Flashに代わってHTML5をデフォルトに - ITmedia モバイルファーストを牽引する HTML5によるハイブリッドアプリ - ZDNet Japan 5分でわかるActiveReports帳票－HTML5ビューワ (1/4)：CodeZine（コードジン） - CodeZine HTML5ベースのデスクトップクライアント：TechTargetジャパン用語事典 - TechTargetジャパン 仮想化 - TechTargetジャパン HTML5でクロスプラットフォームなデスクトップアプリを開発できる「Electron」とは - CodeZine FirefoxブラウザとWebの技術ですぐ作れる！ HTML5で手軽にFirefox OSアプリ開発 - CodeZine YouTube、デフォルト動画プレーヤーを「Flash」からHTML5ベースに変更 - CNET Japan YouTube、メイン再生プレーヤーをFlashからHTML5にようやく移行 - ITmedia YouTube、従来のFlashに代わってHTML5をデフォルトに - AV Watch ついに正式勧告--「HTML5」を使いこなすには何が必要か - builder by ZDNet Japan - ZDNet Japan HTML5がW3C勧告に、15年ぶりの大改訂 - ASCII.jp 「HTML5でスマホとクルマを簡単につなぐ」――韓国Obigo社のハンCEOインタビュー - business network.jp HTML5 CanvasをjQueryライクに操作できるプラグイン「jCanvas」 - CodeZine 広告のHTML5化加速か、Googleがインタラクティブ広告制作ツール「Google Web Designer」を無料提供 【増田 @maskin】 - TechWave（テックウェーブ） #WAVE サンプルで学ぶHTML5の仕様変更要素・後編 (1/3) - ASCII.jp HTML5は5.0へ、2016年にはHTML 5.1も登場か - ASCII.jp Flashを使わない3D絵本の作り方、HTML5/CSS3時代のコンテンツ作りについての雑感 【増田 @maskin】 - TechWave（テックウェーブ） #WAVE HTML5で作るスマホWebアプリ開発チュートリアル(3) HTML5ならではのグラフィックスを実現する「canvas」 - マイナビニュース Cloud SQLとHTML5のWeb Storageで高速仕訳入力 - CodeZine HTML5によるアニメーション作成を容易にする「Adobe Edge」 - builder by ZDNet Japan - builder HTML5のタグに対応したHTMLエディター「Crescent Eve」v0.86が公開 - 窓の杜 50代でも分かったHTML5の基礎知識 - ASCII.jp 3分でわかるHTML5のコンテンツモデルとカテゴリー (1/3) - ASCII.jp Google、Chrome立ち上げ3周年でHTML5のインフォグラフィックを公開 - ITmedia XHTML1.0とHTML5の違いをスタバのページで紹介 (1/6) - ASCII.jp Google、FlashをHTML5に変換するツール「Swiffy」を公開 iOSにも対応 - ITmedia 第512回：HTML5 とは - ケータイ Watch HTML5で注目！インラインSVGの使い方 (1/5) - ASCII.jp W3C、HTML5ロゴを発表 - ITmedia W3C、HTML5ロゴを発表--HTML5推進を目指す - CNET Japan iOS向けゲームが15分で開発できる、高速HTML5ゲームエンジン「IMPACT」登場 【増田(@maskin)真樹】 - TechWave（テックウェーブ） #WAVE HTML5が注目を浴びる理由とは？ ここが違う！サンプルで見るHTML5（1） - CodeZine AppleがiPad/iPhoneでも見られるHTML5ショーケースを公開 (追記あり)【@maskin】 - TechWave（テックウェーブ） #WAVE HTML5は安全か？ 開発者が留意すべきセキュリティ問題 - ITmedia Google、HTML5へのシフトで「Gears」終了へ - ITmedia YouTube、HTML5動画プレーヤーをテスト公開 - ITmedia
https://w.atwiki.jp/keisks/pages/397.html
# Install Pacaya NLP with Jython ## Install Jython Download [Jython](http //www.jython.org/downloads.html) Follow the [instructions](https //wiki.python.org/jython/InstallationInstructions). e.g. ` wget http //search.maven.org/remotecontent?filepath=org/python/jython-installer/2.7.0/jython-installer-2.7.0.jar` ` mv remotecontent\?filepath\=org%2Fpython%2Fjython-installer%2F2.7.0%2Fjython-installer-2.7.0.jar jython_installer-2.7.0.jar` ` mkdir ~/local/jython` ` java -jar jython_installer-2.7.0.jar` N.B. You might want to change some bin names for Jython ` cd ~/local/jython/bin/` ` mv pip jypip` ` mv pip2 jypip2` ` mv pip2.7 jypip2.7` ` mv easy_install jy_easy_install` ` mv easy_install-2.7 jy_easy_install-2.7` ## Install Pacaya NLP It s easy. ` git clone https //github.com/mgormley/pacaya-nlp.git` ` cd pacaya-nlp/` ` mvn compile assembly single` ## Add env vars e.g. (.bashrc) `export CLASSPATH= mvn exec exec -q -Dexec.executable="echo" -Dexec.args="%classpath" (see setupenv.sh)` `export JYTHONPATH=[$HOME(etc.)]/pacaya-nlp/target/pacaya-nlp-3.1.4-SNAPSHOT-jar-with-dependencies.jar` ## Check if it works e.g. ` jython` ` from edu.jhu.pacaya.gm.train import CrfTrainer`
https://w.atwiki.jp/touhoukashi/pages/6120.html
【登録タグ E FELT Fairy Queen Rebirth Story 亡き王女の為のセプテット 曲 美歌】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/3292.html
【登録タグ A-One B TOHO EUROBEAT VOL.18 風神録 あき プレイヤーズスコア 曲 神は恵みの雨を降らす ～ Sylphid Dream 麓の神社】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/reginn666/pages/120.html
CheckIO Scientific Expeditionの問題和訳 問題ページのうち, 問題の前提となる小話は訳してません. また各問題ページ下部にある「Precondition」は「前提条件」のため訳しません(数値の範囲などだけなので). Transposed Matrix Weekend counter The Angles of a Triangle Loading Cargo Spaceship landing strip Friendly number The square chest Morse Clock Ore In The Desert Calculate Islands Digging a canal Transposed Matrix Transpose a matrix of 2D numbers. In linear algebra, the transpose of a matrix A is another matrix A^T (also written A′, A^tr, tA or A^t) created by any one of the following equivalent actions reflect A over its main diagonal (which runs from top-left to bottom-right) to obtain A^T write the rows of A as the columns of A^T write the columns of A as the rows of A^T Formally, the i-th row, j-th column element of A^T is the j-th row, i-th column element of A [A^T]_ij = [A]_ji If A is an m × n matrix then A^T is an n × m matrix. You have been given a matrix as a 2D list with integers. Your task is to return a transposed matrix based on input. Input A matrix as a list of lists with integers. Output The transposed matrix as a list of lists with integers. How it is used The most obvious use for this idea is in mathematical software, but the concept can be applied in the area of vector graphics. On a computer, one can often avoid explicitly transposing a matrix in memory by simply accessing the same data in a different order. 訳 線形代数では, 行列Aの転置を行列A^T(A , A^tr, tAやA^tとも書かれる)と呼ぶ. 転置行列は以下のアクションにより求められる. Aの対角線で要素を入れ替えると転置行列A^Tが得られる. Aの列はA^Tの行になる. 形式的に, A^Tのi行j列の要素は, Aのj行i列目の要素となる. [A^T]_ij = [A]_ji m×n行列Aはn×m行列A^Tになる. あなたには整数の2次元リストが行列として与えられる. 入力の行列を転置した行列を返す. 入力 リストのリストとしての行列 出力 転置行列, リストのリストとして 備考 数学的ソフトウェアではこのアイデアは明らかに使われるが, コンセプトはベクタグラフィックスの面積で応用される. コンピュータでは, 異なる順序で同じデータにアクセスすることで, しばしば転置行列の使用を避けている. Weekend counter Help Sofia with planning her weekends. Sofia has given you a schedule and two dates and told you she needs help planning her weekends. She has asked you to count each day of rest (Saturday and Sunday) starting from the initial date to final date. You should count the initial and final dates if they fall on a Saturday or Sunday. The dates are given as datetime.date (Read about this module here). The result is an integer. Input Start and end date as datetime.date. Output The quantity of the rest days as an integer. How it is used Now is a good time to learn how to work with dates. These ideas here often come up in calendar apps, customer relation management software, automated messaging schedulers among many other things. 訳 ソフィアはあなたにスケジュールと2つの日にちを与え, あなたに彼女の週末の計画を手伝うことを伝えた. 彼女はある日から別の日までの休日(土曜日と日曜日)の回数を数えたいとあなたに聞いた. あなたは2つの日にちの間にある土曜日と日曜日を数える. 日にちはdatetime.dateとして与えられる. 結果は整数で返す. 入力 開始日と終了日をdatetime.dateとして. 出力 期間の間の休日の数を整数で. 備考 日にちの扱い方を学ぶことができる. これらのアイデアはカレンダーアプリ, 顧客管理ソフトや, スケジュールの自動設定ソフトなどでしばしば出てくる. The Angles of a Triangle Discover the angles of a triangle. You are given the lengths for each side on a triangle. You need to find all three angles for this triangle. If the given side lengths cannot form a triangle (or form a degenerated triangle), then you must return all angles as 0 (zero). The angles should be represented as a list of integers in ascending order. Each angle is measured in degrees and rounded to the nearest integer number (Standard mathematical rounding). Input The lengths of the sides of a triangle as integers. Output Angles of a triangle in degrees as sorted list of integers. How it is used This is a classical geometric task. The ideas can be useful in topography and architecture. With this concept you can measure an angle without the need for a protractor. 訳 あなたには三角形の3つの辺の長さが与えられる. あなたはこの三角形の3つの角度を全て求める. もし与えられた辺から三角形を作れないなら, あなたは全ての角度を0として返す. 角度は整数のリストとして, 昇順にしたものとして表現される. それぞれの角度は最も近い整数に丸める. 入力 三角形の三辺長さ 出力 三角形の3つの角度, 昇順にソートしたリストで 備考 これは古典的な幾何学の問題である. このアイデアはトポロジーや建築学で使われる. この問題のコンセプトはあなたに分度器を使わせることなく角度を計算させる方法を教えることである. Loading Cargo Help Stephen evenly distribute weights into two sets. You have been given a list of integer weights. You should help Stephen distribute these weights into two sets, such that the difference between the total weight of each set is as low as possible. Input data A list of the weights as a list of integers. Output data The number representing the lowest possible weight difference as a positive integer. Hints The simplest way (but it s slow) is to check all combinations of distributions. Python already has the tools for combinatorics — import itertools. Do you want an effective algorithm? Take a look at Partition problems. How it is used This is a combinatorial optimization version of the partition problem. The combinatorial optimization has wide usage and you often see it when you look at automated schedules or route calculating. 訳 あなたには重さを表す整数のリストが与えられる. あなたはステファンの2つの重さの差が可能な限り小さくなるように分配を手助けする. 入力 重さのリスト 出力 2つの重さ最小の差 ヒント 最も単純な方法(しかし遅い)は全ての組み合わせをチェックすることだ. Pythonは既に組み合わせのためのツールを持っている, import itertoolsだ. 効率的なアルゴリズムを知りたい? 分割問題を見るべきだ. 備考 これは分割問題の組み合わせ最適化版である. 組み合わせ最適化は幅広く使われ, あなたはしばしば自動スケジューラやルート計算で見かける. Spaceship landing strip Carve a landing strip out of the ground for the rescue party to land on… The Robots have discovered a new island and accidentally crashed on it. To survive, they need to create the largest rectangular field possible to make a landing strip. While surveying the land, they encountered a number of obstacles which they marked on their map. Each square of the map is marked according to whether it contains grass (G), rock (R), water (W), shrubs (S), or trees (T). While the grass can be mowed and the shrubs can be dug from the ground, the water, rocks, and trees cannot be removed with the tools at their disposal. Given these obstacles, they need your help to determine the area of the largest possible rectangular field. The island map is represented as a list of strings. Each list contains letter characters which indicate the conditions for each square of land (G, R, W, S, or T). The map is rectangular. Input An island map as a list of strings. Output The maximum area of the largest possible rectangle that can be cleared as an integer. How it is used This concept touches on image and pattern recognition. If you solve the challenge with a Histogram search, you can use it for statistical analysis. 訳 ロボットは新しい島を発見したが, アクシデントが起こって壊れてしまった. 生き残るために, 彼らは着陸可能な大きい四角形のフィールドを作る必要がある. 島で生活する間, 彼らは地図に遭遇した障害物をマークした. 地図のそれぞれのセルは草(G), 岩(R), 水(W), 低木(S), 木(T)でマークされている. 草と低木は地上から掘ることで動かすことができるが, 水, 岩, 木を取り除く道具はない. あなたは与えられた障害の中から, 最も大きな四角形のフィールドを探す手助けをする. 島のマップは文字列のリストとして表現される. それぞれのリストは島の条件を示す(G, R, W, S, T)のセルからなる. マップは四角形である. 入力 文字列のリストとして島のマップ 出力 作成可能な最大の四角形の面積, 整数 備考 このコンセプトは画像とパターンの認識に触れることである. あなたがヒストグラム探索に挑戦したとしたら, あなたはそれを統計分析に使うことができる. Friendly number Make a long number friendlier by shortening it. Long numbers can be made to look nicer, so let’s write some code to do just that. You should write a function for converting a number using several rules. For starters, you will need to cut the number with a given base (base argument; default 1000). The number should be a coefficient with letters designating the power. The coefficient is a real number with decimal after the point (decimals argument; default 0). You will be given a list of power designations (powers argument; default [ , k , M , G , T , P , E , Z , Y ]). If you are given suffix (suffix argument; default ‘’) , then you must be add it at the end. For the coefficient, use the rounding down rule (5.6⇒5, -5.6⇒-5) if the decimal = 0, else use the standard rounding procedure. If you don’t have enough powers - stay at the maximum. If the number of decimals are greater than the real number of digits after dot, trail it with zeroes. And zero is always zero without powers. Let s look at examples. It will be simpler. n=102 result "102", the base is default 1000 and 102 is lower this base. n=10240 result "10k", the base is default 1000 and rounding down. n=12341234, decimals=1 result "12.3M", one digit after the dot. n=12000000, decimals=3 result "12.000M", trailing zeros. n=12461, decimals=1 result "12.5k", standard rounding. n=1024000000, base=1024, suffix= iB result 976MiB , the different base and the suffix. n=-150, base=100, powers=[ , d , D ] result -1d , the negative number and rounding down. n=-155, base=100, decimals=1, powers=[ , d , D ] result -1.6d , the negative number and standard rounding. n=255000000000, powers=[ , k , M ] result 255000M , there is not enough powers. Input A number as an integer. The keyword argument "base" as an integer, default 1000. The keyword argument "decimals" as an integer, default 0. The keyword argument "powers" as a list of string, default [ , k , M , G , T , P , E , Z , Y ]. Output The converted number as a string. How it is used In the physics and IT we have a lot of various numbers. Sometimes we need to make them more simpler and easier to read. When you talk about gigabytes sometimes you don’t need to know the exact number bytes or kilobytes. 訳 大きな数は他によい見せ方があり, それをするためだけにいくつかのコードを書こう. あなたはいくつかのルールに従った数の変換の関数を書く. はじめに, あなたは与えられた基底(引数となる, デフォルトは1000)を使って数字をカットする必要がある. 数値は係数とべきを示す文字であらわされる. 係数は小数点第n位(引数で指定, デフォルトは0)の実数である. あなたにはべきを示す文字(べきの引数, デフォルトは[ , k , M , G , T , P , E , Z , Y ])のリストが与えられる. もし接尾辞が与えられたら(接尾辞も引数, デフォルトは ), あなたはそれを末尾に加える. 引数decimal=0なら係数には下丸め(5.6= 5, -5.6= -5)が適用され, それ以外は通常の丸めが適用される. もし十分なべきがないなら, 最大のべきで表現する. ドットのあとの桁の実数が指定した桁(decimal)より長いなら, 0で埋める. また0は常にべきなしの0である. 例を見てみよう. シンプルなものだ. n=102 結果は"102", 基底は1000で, 102は基底より小さい. n=10240 結果は"10k", 基底は1000で, 下丸めした. n=12341234, decimals=1 結果は"12.3M", 小数点以下第1位まで. n=12000000, decimals=3 結果は"12.000M", 0で埋める. n=12461, decimals=1 結果は"12.5k", 標準的な丸め. n=1024000000, base=1024, suffix= iB 結果は 976MiB , 異なる基底と接尾辞の追加. n=-150, base=100, powers[ , d , D ] 結果は -1d , 負の数と下丸め. n=-155, base=100, decimals=1, powers[ , d , D ] 結果は -1.6d , 負の数と標準的な丸め. n=255000000000, powers=[ , k , M ] 結果は 255000M , 十分なべきではない. 入力 整数として数値. 引数に基底, デフォルト1000. 引数にdecimal(小数点第n位), デフォルトは1000. 引数にべきリスト, デフォルトは[ , k , M , G , T , P , E , Z , Y ]. 出力 変換された数値を文字列として. 備考 物理やITにおいて私たちは様々なたくさんの数を扱う. 時々私たちは読みやすさのためによりシンプルな表記を必要とする. あなたがギガバイトについて話す時, あなたはきっちりしたバイトやキロバイトを必要としない. The square chest Count the number of squares which can be possibly drawn in a grid. On the chest keypad is a grid of numbered dots. The grid is comprised of a square shaped array of dots and contains lines that connect some pairs of adjacent dots. The answer to the code is the number of squares that are formed by these lines. For example, in the figure shown below, there are 3 squares 2 small squares and 1 medium square. The dots are marked by the numbers 1 through 16. The endpoints of the lines are represented by lists of two numbers. Input A list of lines as a list of list. Each list consists of the two integers. Output The quantity of squares formed as an integer. How it is used This is a simple puzzle that illustrates pattern searching. For complex cases you can improve your program and use it to search for more complex patterns, shapes and objects. 訳 数字が割り振られたドットのグリッドがある. グリッドは四角に配置されたドットと隣り合うドットのいくつかのペアとつながった線からなる. それらの線によって作られる四角形の数を求めるためのコードを書く. たとえば, 下の図を見ると, 3つの四角形, 2つの小さな四角形と1つの中型の四角形だ. ドットは1から16までの数値で割り振られている. 線の終端は2つの数字のリストで表現される. 入力 リストのリストとして線のリスト. それぞれのリストは2つの整数からなる. 出力 四角形の数を整数で 備考 これは画像パターン探索のシンプルなゲームだ. 複雑なケースのためにあなたはプログラムを改良することができ, それをより複雑なパターン, 形状や物, を探索するために使うだろう. Morse Clock Morse clock task Help Stephen to automate his task by creating a module. As you can see in above illustration, gray circle means on, and white circle means off. Every digit in the time string contains a different number of slots. The first digit for the hour has a length of 2 while the second digit for the hour has a length of 4. The first digits for the minute and second not have a length of 3 while the second digits for the minute and second have a length of 4. Every digit in the time is converted to binary representation. You will convert every on ( or 1 ) signal to dash ( - ) and every off ( or 0 ) signal to dot ( . ) Input An unspecific time string ( could be hh mm ss or h m s or hh m ss format, with no specific format ) Output A string of Morse symbol from binary representation with specific format "h h m m s s" where each digits represented as sequence of "." and "-" How it is used Here you can learn about binary numbers and how to format strings. 訳 ステファンの自動化タスクのためにモジュールを作る手助けをしよう. 上の図のように, 灰色の円はオンを意味し, 白の円はオフを意味する. 時間文字列の全ての桁はスロットの異なる数値を含む. 最初の桁は時の10の位で, 長さは2, 次の桁は時の1桁で, 長さは4. 分と秒の最初の桁は長さ3で, 次の桁の長さは4である. 時間のすべての桁はバイナリ表記に変換されている. あなたはそれぞれをオンならダッシュ(-), オフならドット(.)に変換する. 入力 時間を文字列で(hh mm ssかh m sかhh m ss形式) 出力 バイナリ表記のモールス信号の文字列, "h h m m s s"形式で ここでそれぞれの桁は"."と"-"として表現される. 備考 あなたはここで二進数と文字列のフォーマットについて学ぶ. Ore In The Desert Our spaceship’s sensors have registered an ore in the region. Help the robots probe the region for precious metals. During their adventure, the Robo-trio came across a desert, and the ships sensors have registered ore in the region. The desert has a size of 10x10 cells and can be represented as a 2D array. The ship has four probes which can be used to help us find the ore. At each step you will need to return the coordinates of a cell (as [row, column]) for the probe to travel to. If the cell contains ore, then you can finish; else the probe will give a distance to the location of the ore cell (it will be the Euclidean distance between cells centers). The perception of probe is not very good and it will give you a result rounded to the closest integer (1.41 ≈ 1; 2.83 ≈ 3). At each step you receive information from the previous probes as a list of list. Each list will be in the following format [row, column, distance]. At the beginning of the mission, you will only receive an empty list. Input Information of the previous probes as a list of lists. Output The coordinate of the next probe as a list of two integers. How it is used This task illustrates trilateration. Trilateration is the process of determining absolute or relative locations of points by measurement of distances, using the geometry of circles, spheres or triangles. In addition to being an interesting geometric problem, trilateration does have practical applications in surveying and navigation and is an important part of the equations making global positioning systems (GPS) possible. 訳 彼らの冒険の間, ロボトリオは砂漠を横切っていて, 領域内の鉱石を船のセンサーに登録していた. 砂漠は10x10サイズのセルで, 二次元の配列として表現される. 船は4つの私たちに鉱石を探させるために使われる探り針を持っている. それぞれのステップでそこに行くために, あなたは探し針のためにセルの座標を返す必要がある. セルが鉱石を含んでいたら, あなたは終了させることができる. 含んでいないなら探り針は鉱石セルの位置までの距離を与える(セルの中心同士のユークリッド距離). 探り針の認識はとてもよいわけではなく, それはあなたに丸めた近い整数を与える(1.41なら1, 2.83なら3). それぞれのステップであなたは前の探り針からリストのリストとして情報を受け取る. それぞれのリストは[行, 列, 距離]というフォーマットである. ミッションのはじめに, あなたは空のリストを受け取る. 入力 前の探り針の情報をリストのリストとして 出力 次の探り針の座標を2つの整数のリストで 備考 このタスクは三角測量の説明である. 三角測量は円か球体か三角の幾何学を用いて, 距離を測量することによって点の絶対または相対的位置を決定するためのプロセスである. Calculate Islands Help the robots calculate the landmass of their newly discovered island chain. The Robots have found a chain of islands in the middle of the Ocean. They would like to explore these islands and have asked for your help calculating the areas of each island. They have given you a map of the territory. The map is a 2D array, where 0 is water, 1 is land. An island is a group of land cells surround by water. Cells are connected by their edges and corners. You should calculate the areas for each of the islands and return a list of sizes (quantity of cells) in ascending order. All of the cells outside the map are considered to be water. Input A map as a list of lists with 1 or 0. Output The sizes of island as a list of integers. How it is used This task is an example of a disjoint-set data structure. Disjoint-set data structures model the partitioning of a set; for example, it helps with keeping track of the connected components in an undirected graph (networks). 訳 ロボットは海の中央にある島の連鎖を見つけた. 彼らはこれらの島を発見したいのと, それぞれの島の面積を計算する手助けをあなたに聞いた. 彼らはあなたにテリトリーのマップを与える. マップは二次元の配列で, 0は水, 1は島である. 水に囲まれたセルが島のグループである. セルは端か角でつながる. あなたは島々の面積を計算し, 昇順にソートしたリストを返す. マップの外側は水とする. 入力 1か0で構成されるリストのリスト 出力 島のサイズを整数のリストで 備考 このタスクは素集合データ構造の例である. 素集合データ構造モデルは集合の分割, たとえば無向グラフ(ネットワーク)における要素の接続の経路を維持するのを助ける. Digging a canal Help the robots begin their colonization of the newly discovered island. The robots are trying to colonize a new island. There are many rivers on this island and it would be good idea for them to use ships designed for water, rather than their spaceships. Some of the territories do not have a river for transportation from one edge of a field to another. The robots can dig a canal and convert the land to water if need be. We must explore a field map and count the minimum number of cells necessary for a canal that would allow the robots to sail from northern edge of the map to southern edge. The map is in a 2D array, where 0 is water, 1 is land. Cells are connected by their edges. Input A map as a list of lists with 1 or 0. Output The minimum number of cells necessary for a canal as an integer. How it is used This concept is a mix of graph-search and optimization problems. It can be useful in navigational software and for network optimization. 訳 ロボットは新しい島に入植を試みている. この島にはたくさん川があり, 宇宙船を使うよりも船を使うのに適した川がある. 地域の中のいくつかは, フィールドの端から他方に輸送するための川がない. ロボットは水路を掘ることができ, 必要なら陸地を水に変えることができる. 私たちはフィールドマップを探検し, ロボットがマップ北側からマップ南側まで船で通れるような水路に必要なセルの最小数を数えるべきだ. マップは2次元の配列で表され, 0は水, 1は島である. セルは各々の端でつながっている. 入力 1と0からなるリストのリストをマップとして 出力 水路に必要なセルの最小の数 備考 これはグラフ探索と最適化問題を組み合わせたものである. それはナビゲーションシステムやネットワーク最適化で使われる.
https://w.atwiki.jp/touhoukashi/pages/5552.html
【登録タグ あき そ はにーぽけっと バンデットリィテクノロジー 曲 東方オトハナビ 神々が恋した幻想郷 芥川龍之介の河童 ～ Candid Friend】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; 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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/gohongilab2/pages/38.html
tags Vincent_C Camp_J SDO url auther Vincent, C. Camp, J. bibtex @article{VincentCamp2004, title={{Looking to the Internet for models of governance}}, author={Vincent, C. and Camp, J.}, journal={Ethics and Information Technology}, volume={6}, number={3}, pages={161--173}, year={2004}, publisher={Kluwer Academic Publishers Hingham, MA, USA}, url={"http //www.springerlink.com/content/lt77736h087404h1/"}, } format for references AIS format Vincent, C. and Camp, J. 2004 "Looking to the Internet for models of governance", Ethics and Information Technology, (6 3) pp. 161-173. memo As such, in assessing each model we need to consider the following questions (1) Who has a voice in the process? (2) How open or transparent is the standard setting process? (3) Where does the final authority lie for approving standards? Essentially for the IETF an implementation is a standard. The process of diffusion is the process of standardization. In particular in the arena of defaults and detailed specifications, the IETF process is explicit in the desire to enable the implementation and diffusion processes drive the specification. This flexibility enables rapid responses and encourages rapid prototyping and proofs of concepts. A secondary effect of the implementation focus of the IETF standards process is that it creates an inherent hierarchy based on willingness to invest in a particular question. This has both positive and negative implications that can bee seen by the standards that have been languishing for many years in the IETF. On the positive side, individuals with a vision can embark on any potential standard if there is enough interest. The standard group need not die. Depending on the model used, a standard would differ in terms of (1) openness (2) security (3) privacy and (4)interoperability \subsection{Who has a voice in the process?} \subsubsection{ITU-T} Participation in the ITU-T standard setting process is limited to ITU-T membership – namely national governments (members) and select telecommunica- tions companies (sector members). Members and sector members are the only organizations with a direct voice in the standard setting process. Unless called as an expert consultant, non-ITU members do not have an avenue for participation. Since the ITU representatives of member states are also public offi- cials, the general public can voice their opinions and thoughts indirectly through their domestic political process. However, given the distance between the general public and the ITU standards process, this link is tenuous. ITU-T The ITU-T is the Telecommunications Standardization Sector of the ITU. Factual information pertaining to the ITU-T was collected at http //www.itu.org unless otherwise noted. \subsubsection{IEEE} The IEEE limits participation in the standard setting process to the electrical and electronic engineers that form its membership. In fact, the right to participate in setting standards is considered a benefit of membership. Valuing a diversity of opinion in the stan- dard setting process, the IEEE does invite public sector agencies to become members of the IEEE Standards Association. Nevertheless, participation is still limited to fee-paying members, whether individ- uals or invited organizations. Interestingly the largest growing sector of the IEEE is the Technology and Society. Any IEEE member can sponsor up to two non-engineers for membership by writing a letter describing their contributions. IEEE Technology and Society includes a significant number of those mem- bers. \subsubsection{IETF}In sharp contrast, the IETF standard setting process is open to any interested individual. The IETF does not have a formal membership. Anyone who wishes to participate in the standards process through working group mailing lists and tri-annual meetings is free to do so. Furthermore, since working groups are estab- lished from the bottom-up by groups of interested individuals, the direction of the IETF is ideally en- tirely dictated by the participants. However, ap- proval is a process that is far from transparent. IETF may struggle for many years without reaching con- sensus. While any person can join, advancing an agenda is tenuous and remarkably uncertain. \subsection{Where does the final authority lie for approving standards?} \subsubsection{IETF} As RFC 2026 (The Internet Standards Process) de- scribes the ideal, ‘‘an Internet Standard is a specifi- cation that is stable and well-understood, is technically competent, has multiple, independent, and interoperable implementations with substantial operational experience, enjoys significant public support, and is recognizably useful in some or all parts of the Internet.’’ Essentially for the IETF an implementation is a standard. The process of diffusion is the process of standardization. In particular in the arena of defaults and detailed specifications, the IETF process is ex- plicit in the desire to enable the implementation and diffusion processes drive the specification. In con- trast, details are embedded in IEEE SA and ITU-T standards. The organization of the standards bodies was a significant element in the OSI seven-layer stack that was doomed by lack of simplicity in the contest for diffusion and dominance with the far more flexi- ble TCP/IP and UDP/IP. This flexibility enables rapid responses and encourages rapid prototyping and proofs of concepts. Technical documentation of implemented devices and evangelical declarations of working services are an element of IETF discourse. By requiring implemen- tation the IETF addresses issues of flexibility and efficiency in the most applied manner possible. The- oretical disputes about functionality are resolved in implementation details. A secondary effect of the implementation focus of the IETF standards process is that it creates an inherent hierarchy based on willingness to invest in a particular question. This has both positive and neg- ative implications that can bee seen by the standards that have been languishing for many years in the IETF. On the positive side, individuals with a vision can embark on any potential standard if there is en- ough interest. The standard group need not die. cited as
https://w.atwiki.jp/touhoukashi/pages/2113.html
【登録タグ L Stack 少女救世論 春の湊に 暁Records 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; 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By SETSUKO KAMIYA Staff writer The government submitted a tax reform bill to the Diet Jan. 23 that includes a clause to continue the provisional higher rates imposed on auto-related levies for another 10 years, drawing opposition from the Democratic Party of Japan, which wants the higher rates that have been in place for more than 30 years abolished. Prefectural assembly members rally Jan. 23 in Chiyoda Ward, Tokyo, to call on Diet lawmakers to retain auto-related tax rates that are now at the center of a national debate. KYODO PHOTO The DPJ s proposal would result in lower pump prices, but many local governments fear the loss of road-related tax revenues would deal a heavy blow to their coffers. Here are questions and answers about road-related tax revenues and the provisional tax rates that have become the hottest bone of contention in the current Diet session What are road-designated tax revenues and what are they used for? Drivers and car owners pay several kinds of taxes earmarked for building and repairing roads. These include the gasoline tax, diesel collection tax, liquefied petroleum gas tax, auto acquisition tax and tonnage tax. Known as road-designated tax revenues, they are major sources of income for both the central and local governments. The gasoline tax, which goes to both the central and local government coffers, comes to ¥53.8 per liter. In fiscal 2007, which ends on March 31, ¥5.61 trillion had been allocated for the road-related budget. The Land, Infrastructure, Transport and Tourism Ministry claims road-related tax revenues are spent to improve the nation s social infrastructure. Such usage includes planting greenery along main thoroughfares, burying power lines, removing snow and building bridges, in addition to constructing bypasses to reduce traffic jams and repairing sidewalks. When were road-designated tax revenues established and why? The petroleum tax was first designated road-related revenue in 1954 to secure funds to develop the poor road network as the nation struggled to rebuild after the war. Kakuei Tanaka, who later became prime minister, came up with the idea when he was still a rank-and-file Liberal Democratic Party lawmaker. In those days, cars were still extremely expensive, and collecting tax from wealthy car owners who could afford to pay was widely considered a clever way to amass a road construction budget. The extra tax rates on gasoline and other car-related taxes, except the LPG tax, were introduced in 1974 as a temporary measure to promote further projects for road construction and repairs. The rates have been increased up to 2.5 times over the fixed core rate. The temporary rates are reviewed every five years but have remained in place since their introduction. The current rates expire March 31. What are the political parties positions regarding the special tax rates? The LDP-New Komeito ruling bloc has submitted a bill that includes extension of the provisional rates for another 10 years, claiming many local governments are still in need of new roads or infrastructure improvements. The ruling bloc argues that without the higher rates, road construction would be suspended in many parts of the nation where the road network is still insufficient. If the provisional tax rates are eliminated, the central and local governments would lose a combined ¥1.6 trillion in resources, according to a government estimate. The DPJ meanwhile wants the provisional rates abolished and have road-related taxes used for purposes other than road construction, so that local governments could spend the funds according to their needs. Abolishing the provisional rates would slash gasoline prices by ¥25 a liter. The DPJ says local governments could survive the revenue loss by revoking the expenses they are partly shouldering on projects carried out on instructions from the central government. The largest opposition force also says there is still room to cut road construction costs as well. The ruling coalition argues that road-related tax revenues can be used to fight global warming. But the DPJ says the government needs to revise the law or create a new law if it wants to use tax revenues for environmental purposes. To ensure the provisional rates remain beyond their expiration, the LDP submitted a stopgap bill to the Lower House on Tuesday that would keep auto-related tax rates unchanged for a few months. Why did the temporary provisional rates last more than 30 years and now become a major issue? What was initially designed as a temporary rate has not been abolished for three decades because the construction industry has been a strong vote-gathering machine for the LDP, which has been in power for decades, says Yasuhiro Tase, a political science professor at Waseda University in Tokyo. In 1993, when Prime Minister Morihiro Hosokawa formed a brief non-LDP coalition administration, the rates were not up for debate because they were in the middle of an extension period, Tase said. Whenever a national election takes place, LDP lawmakers rely on their local-level assembly members to promote their campaigns. Many of those assembly members have strong ties with local general contractors. They expect lawmakers to get the central government to steer as many public works projects as possible their way. Thus, road-tax revenues have been a key political tool for LDP politicians soliciting votes in their electoral districts. Even if road projects were not actually necessary, it was a win-win situation for politicians and local businesses. Road construction would benefit local-level contractors who in return would vote for LDP lawmakers, Tase said. For the LDP conservatives, politics is about roads, and an election is also about roads, he said. It is a fundamental basis of Japanese politics and a necessary evil. Since the DPJ-led opposition camp seized a majority in the Upper House last July, the provisional rates have become a point of hot debate, Tase said. In addition to local governments losing revenues, what impact would abolishing the rates have on the public? Several opinion polls show that a majority of voters would welcome lower gas prices at a time when oil prices are soaring. However, Tase noted that although the current provisional rates expire March 31, it will be difficult for gas stations to cut gasoline prices because the gasoline tax is incorporated into the price when gas is shipped from oil distributors. Tase speculates that gas stations might have to risk profits to satisfy customers who expect lower pump prices. We welcome your opinions. Click to send a message to the editor. The Japan Times (C) All rights reserved Japan Info GuideLinks for living in Japan Business in Japan Need info on consumer trends? Biz practices? Type in your inquiry, get quick answer! Language study The Japanese-Language Proficiency Test Upgrade your nihongo before the next proficiency test Business Business support in Tokyo for foreign affiliated firms Guidance and info from the Tokyo Metropolitan Government Transportation Tokyo Transfer Guide Metro resource for fares, travel time and transfers Ready to expand your horizons and study in Japan? 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